Go to the main part, say nothing about useless.

In my works, Universal joins Intimate.

Treating the area by original way, I use space as principle, matters as languages, colors as signs, and oil painting structure : my lines again and again my lines that always structure my colored scope.

In quest of foot prints, stamps, elements which leave its marks on the human body and made by the body : by water ; tests and all is in relation with injustice, hypocrisy, narrow-mindedness, authoritarianism ; by pain : hurt and grief….

I refuse description and anecdote, but I prefer color intensity.
Colors and lines are in my view one. The most important is the internal vibration held the most intimate.
Then, I try to pierce, to cut, to open and to open partway, to close, coordinating differences, taming tensions, exploring breakdown, making interest in knot the most usual.
I need any textures, relation between matters as wood, plaster cast, plaster tape and screws, nails, nuts, wires, ropes natural fibers, my combination of matters, the slick and the undressed like a kind of language between an achieved thing and the imperfection.
I try to show what the reality hides, and to make appear models of the unconscious.
Then I break the customs and abyss the empty and the full, the reality and the appearance, the essential and the unnecessary.
The concepts of limits and passages make the key of my decrypted works.
My demand is absolute and I am looking for provoking thought, reaction, challenging.

According to me, the eye must be free and necessary interpreter.

My oil painting aren’t windows opening outside but doors which are opening inside spirit.